Miss May IBury Me Down
Directed by Garrett Drake
Miss May I bring melodic metalcore’s muscle and catharsis to “Bury Me Down,” balancing bruising intensity with the pull of melody. Released in 2026, the…
Directed by Garrett Drake
Miss May I bring melodic metalcore’s muscle and catharsis to “Bury Me Down,” balancing bruising intensity with the pull of melody. Released in 2026, the…
Directed by Alex McFarland, Jordy Clarke
Comeback Kid bring hardcore punk’s full-throttle urgency and melodic hardcore’s emotional bite to Yesterday’s Gone, featuring Incendiary. Released in 2026, the track pairs aggression with…
Directed by Tom Flynn, Mike Watts
Hatebreed’s “The Carrion Choir” channels beatdown hardcore’s blunt-force weight into a metalcore assault, with lyrics that turn predatory pressure into a test of defiance. Released…
Directed by Kitty Yeung Sik-yung
pami’s loser brings bedroom-pop intimacy to an alternative-pop frame—a small-scale sound with a quietly pointed edge. Released in 2026, the track’s music video is directed…
Directed by Otium; Alex LaLiberte
Always You channel indie rock’s guitar-driven energy and melodic pull on “1994,” a 2026 release with an alternative edge. Otium and Alex LaLiberte direct the…
Directed by Vinny Masino, Ethan Hedgecock
Jaid Joice’s “Devil Won’t” brings an outlaw-country streak to the grit and drive of country rock, favouring a rough edge over a polished shine. Released…
Directed by Zárate, Carlos Leon
Nia Perez’s If I’m Lucky finds its lane in indie pop, balancing an intimate feel with pop’s instinct for immediacy. The 2026 release comes with…
Directed by Sick Universe Corp
Sickick’s Who Needs Keyboards Anyway (Part 2) pushes a cappella into experimental trap territory, making the voice the engine rather than just the hook. Released…
Directed by Josh Ross
Josh Ross brings country grit and rock muscle to “Drink Things Through,” with a title that turns a familiar phrase into a barroom proposition. Released…
Directed by Zenith Akirae
Zenith Akirae’s Feels, Right pairs R&B’s smooth pull with hip-hop’s rhythmic bite, balancing melody and momentum on the 2026 release. Akirae also directs the accompanying…
Ninth Key’s 2026 track DARK TIME SUNSHINE puts nu-metal weight behind a stark search for relief. Its opening lyrics cut through daily routines and medication…
Directed by Kurt Mackey
SCATTERBRAIN’s Addicted to the Habit brings rock’s bite to the restless edges of experimental hip-hop, trading easy genre boundaries for a more abrasive collision. The…
Directed by Nick Cavin
Millington’s 2026 single “I Won’t Surrender” puts brass-emo bite behind pop-punk urgency, pairing emotional charge with a punchy, horn-driven edge. Nick Cavin directs and edits…
Riley Thomas brings country-rock muscle and alternative-country grit to If You Don't, a 2026 release with a rootsy core and a harder edge.
Directed by Steven Levi Vella
☆ wavvyboi brings glam-rock swagger into goth-rock shadow on fragile machine ☆, pairing theatrical energy with a darker edge. Released in 2026, the track gets…
Directed by Daniel Priess
Directed by Lorenzo Diego Carrera
SAVE US bring alternative metal’s weight and metalcore’s abrasive edge to Last Of Me, trading in tension and heavy-hitting intensity. The 2026 track arrives with…
Directed by B Barone
From Ashes To New bring nu-metal bite and hard-rock heft to Love Me, putting muscle behind a title that reads like a plea. Released in…
Directed by Nick Benjamin
Darci’s “Lovesick” sits where trapsoul’s intimate pull meets wave’s hazy electronic atmosphere, giving its romantic ache a colder edge. Released in 2026 and directed by…
Directed by Itay Lerner-Smithson
Wynne brings rap bite to the taut, bass-heavy pulse of trap on hold my purse. The 2026 music video pairs the track’s punchy energy with…
Directed by Edit: Marco Luka
Marco Luka’s 2026 single GOTTA LET YOU GO puts a funk pulse under an alt-pop sensibility, pairing rhythmic snap with a title that draws a…
Directed by Quadeca!
brakence’s “ready or noT” brings emo-rap vulnerability into the fractured textures and restless energy of glitch pop, setting raw feeling against digital abrasion. Released in…
Directed by Sabra Binder, Amy Davis, Gracie Stewart
Blondshell’s Stone Fruit puts grunge grit up against indie rock’s melodic pull, balancing abrasion with an ear for a hook. Released in 2026, the track’s…
Nicotine Dolls bring indie-rock grit to a pop-rock frame on Here To California, a 2026 release that pairs rough-edged energy with a keen ear for…
Directed by Rippy Austin
Joy Oladokun’s “Easy Company” brings folk-rooted intimacy to a warm pop sensibility, balancing plainspoken songwriting with an inviting melodic pull. Rippy Austin directs the 2026…
Directed by Addie Weyrich
Joey Dosik’s Do You Wanna Leave pairs soul’s warmth with the supple feel of R&B, letting an understated question carry the emotional weight. Released in…
Directed by Kyle S. Lee
Tegan and Sara’s 2026 single Our Year, featuring Lights and Felix Cartal, channels their indie-pop sensibility into bright, dance-driven electropop. The track leans into the…
Directed by Flo Morrissey
Flo Morrissey’s Till I Met You (2026) leans into the quiet intimacy of indie folk, putting her singer-songwriter sensibility at the centre. Morrissey directed and…
Directed by Dan Trautwein
Morten Harket’s 2026 single Hold Me, featuring Tomine Harket, leans into the sweep of orchestral pop and the emotional pull of a ballad. The a-ha…
William Beckmann leans into Americana’s bruised romantic streak on You Only Love To Break My Heart. His rich baritone brings a crooner’s gravity to a…
Directed by Nathan Karma Cox
Suicide Silence bring their deathcore force to Make Your Exit, pairing punishing heaviness with a venomous lyrical attack on privilege and apathy. The refrain “I…
Directed by Skyler Brown
Dazies pair indie-pop immediacy with a rock edge on “No More Bones,” their 2026 track from Eyes Repeating. The lyrics piece together memories of 2009…
Directed by Chris Foote
Queens of the Stone Age bring desert-rock grit and hard-rock swagger to “Where The Goth Girls At?” (2026), with a title that skips the coyness.…
Directed by Cole Borgstadt
greek’s CHAMELEON pulls indie R&B’s slow-burning warmth toward the off-centre edges of alternative pop, favouring atmosphere over flash. Released in 2026, the track comes with…
Directed by Brendon Burton
Jane Remover’s Beauty Sleep brings hyperpop’s wired energy into collision with the restless pulse of experimental hip-hop, pulling pop immediacy toward stranger territory. Released in…
Directed by Nick Mckk
Julia Jacklin’s 2026 single If I Had The Hand Of God leans into indie-folk intimacy and alt-country ache, with lyrics that pit private struggle against…
Directed by Ashley J Dengate, Caia Cupolo
MOUTH CLOSED’s 2026 track SNOOPER pairs synth-punk’s wiry tension with the scrappy, off-kilter energy of egg punk—a collision of electronic bite and basement grit. Ashley…
Directed by Zi Yau, Olive Rush
EGOISM’s 2026 single It Takes Two brings dream-pop haze into focus with the emotional bite of emo pop, balancing atmosphere with a sharper melodic pull.…
Directed by Ailsa Aikoa
Girl In The Year Above’s Wet Paint puts indie rock’s wiry energy front and centre, with a rough-edged alternative bite. Released in 2026, the track’s…
AltSounds.TV is a human-curated music video channel built for discovery. Thousands of music videos, spanning generations of music, are collected here so you can press play, follow a sound, disappear into an era or stumble across something you never knew existed.
This is not another feed engineered to keep serving you versions of whatever you watched yesterday. AltSounds is curated with an actual point of view: new releases beside deep cuts, iconic videos beside strange ones, huge artists beside names you may be hearing for the first time. The song matters. The visual matters. And the people who made it matter.
AltSounds moves backwards and forwards through music history. Explore the latest releases in the 2026 music video channel, drift through the 2020s, revisit the 2010s and 2000s, or go deeper into the archives with music videos from the 1990s, 1980s and 1970s.
The collection crosses genres without pretending music fits neatly into boxes. You can move through alternative music videos, pop, electronic, hip hop and hundreds of connected sounds, subgenres and scenes. Start somewhere familiar. End somewhere else entirely.
Music videos are not just promotional attachments to songs. At their best they are films, experiments, performances, pieces of design and small cultural events in their own right. That is why AltSounds credits music video directors wherever that information is available and connects their work across the archive.
Search AltSounds by artist, song or director and a different version of music history begins to appear: one shaped not only by who stood in front of the camera, but by the filmmakers and creative teams who helped create the images we remember.
AltSounds began in 2004 as an independent music discovery platform and has changed shape repeatedly as the internet, music and the way we watch it have changed. What has survived is the important part: curiosity, independence and the belief that discovery is better when somebody actually cares what comes next.
Today, AltSounds.TV is an always-on music video experience for discovering new music, revisiting classics and exploring the visual history surrounding them. You can read the AltSounds story, or forget all of that and just hit play.
Music videos, reborn. Press play and never stop.
AltSounds.TV is a human-curated music video discovery platform and always-on music video channel. It brings together new releases, classics, deep cuts, and music videos from across genres and decades in one interconnected archive.
Yes. New music videos are continually added to AltSounds alongside older releases. You can explore the current 2026 music videos or move through the wider archive from the homepage.
Yes. AltSounds has dedicated decade channels covering the 2020s, 2010s, 2000s, 1990s, 1980s, 1970s and earlier music in the archive.
Yes. Music videos are connected through genre and subgenre channels, making it possible to explore everything from alternative and pop to electronic, hip hop and more specialised sounds.
Yes, where reliable director information is available. Director credits are an important part of the AltSounds archive, helping viewers discover the filmmakers behind music videos as well as the artists and songs.
No. AltSounds is a human-curated music video discovery experience. Technology helps us organise the archive, but the platform’s editorial identity is built around human music discovery rather than an endless personalised recommendation feed.
AltSounds began in 2004. It has existed in several forms since then, evolving from an independent artist-discovery platform and music publication into the music video-focused AltSounds.TV you see today. Read more about the history of AltSounds.
Yes. Artists, labels and representatives can find current information about the process on the music video submission page.